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Welcome to the T List, a newsletter from the editors of T Magazine. Every week we share things that we now eat, wear, listen to or covet. Register here to find us in your inbox every Wednesday. And you can always reach us at [email protected]†
step-by-step
Beauty expert Jamie Rosen’s regimen
I always vary my products according to what my skin needs. In the morning I use the Nuori Vital Foaming Cleanerand at the end of the day I was more thorough with something like Haoma’s Nourishing Cleansing Balm† I alternate between the Royal Fern Phytoactive Skin Perfecting Essence or Biological Research Lotion P50† I’ve been using that ever since I became a beauty editor – P50 was like my indoctrination. Then I use Our Self’s Daily Renewal Creamwhich is full of peptides, or a moisturizing cream from the Georgian brand called Sensself Rich but light — it has a perfect texture — and the Epara Eye Serum† i use my zip tool to do multiple treatments once or twice a week and before events. My face feels off balance if I don’t. I always use SPF; I just finished Zitstickas Megashade SPF, or when I’m on the road I spray on Habit’s no 41 sir† I like in the shower Bastide Rose Olivier Natural Body Soapand soft services’ polishing bar† It is very satisfying. I just cut my hair short, so I tried styling products in a way I’ve never had before. I love Philip B’s Weightless volumizing shampoo and Conditioner and Charlotte Mensah’s Manketti Oil Pomade† I use Kevyn Aucoin Volume Mascara and RMS Lip2Cheek in Illusive† It’s such a cool shade – you look red in the winter and tan in the summer. To conclude, I love Hermès lipstick in Rouge Orange† There are a few scents I’ll come back to: Aedes de Venustas’s salty, incense-like Copal Azurand Etto’s house Macanudowhich is more grassy, and Costa Brazil just came out with a fragrance, aromathat is very nice.
This interview has been edited and abridged.
In the two decades since Esha Soni Seetha began creating accessories for American homes, including Proenza Schouler, for which she still works, the Mumbai, Indian-born designer has adopted a slow-fashion mindset. For starters, she believes that luxury goods should be rare pieces of investment that will last forever (and never be discounted). Now she’s bringing that ethos to her new namesake line, Esha Soni. Seetha spent three years working with artisans in Italy and New York to develop her debut collection, which was inspired by Jules Olitski’s colourfield paintings and the biomorphic forms sculpted by Jean Arp, and includes three handbags made from French calf leather, suede and spelled pony, as well as a sterling silver and gold vermeil necklace that looks like a strand of river stones and was a collaboration with jeweler Christine McPartland. The Arc tote slants to one side in a way that makes you look twice, while the Slope seems to be asking for a cocktail party. “I called it the bracelet bag,” Seetha says of the bracelet’s removable handle. Artful bags will always be at the heart of her brand, but she envisions the Esha Soni customer as someone who appreciates all kinds of beauty, and she’s currently putting the finishing touches on a selection of barrels created with ceramist Devin Fina who will be made to order. “In a perfect world,” says Seetha, “every collection is born and never exists and never dies.” Handbags from $1,950, eshasoni.com†
see this
Kaleidoscopic cabinets
The resurgence of Scandinavian interior trends in recent years has led to a ubiquity of warm woods, clean lines and spare, innocuous furniture. The polychromatic cabinets by Amsterdam artists Gijs Frieling and Job Wouters, six of which are the duo’s first American solo show in Future Perfect’s West Village outpost, blow this stereotype wide open. Working under the anglicized name FreelingWaters, the pair bought 18th- and 19th-century pine cabinets from antique dealers and decorated them with striking geometric shapes in a lively, hallucinatory palette. Frieling, a painter of traditional Dutch folk murals, and Wouters, known for his psychedelic calligraphy, have collaborated since 2008 on art exhibitions, books and menswear, but turned their attention to furniture in 2020. “There is a tradition of what I call ‘poor man’s rococo’ in Northern European decorated furniture,” says Frieling, referring to how their cabinets build on a rural Dutch tradition of embellished objects. Each of the works is painted throughout, including the inside – the interiors show more bursts of pattern, color and, in one case, ghostly silhouettes of vases and ornate glassware. With their gradients, evasions and moiré, the antiques are rearranged as curiosities of the contemporary time. Wouters says: “We add a very thin layer that gives new life to these old pieces that might otherwise be thrown away.” “FreelingWaters: Collection III” is on view through June 17 thefutureperfect.com†
try this
Diptyque cleaning products
How does clean smell? According to Diptyque, the French perfumery known for its candles and fragrances, it could be just a stroll through a Mediterranean garden. At least that’s the evocation—via notes of lavender, cedar, and fig tree—donated by the all-purpose cleaner in their new six-part line of cleaning products called La Droguerie, or “the drugstore.” Created with the perfumer Olivier Pescheux, the nose behind fragrances for Dior and Sisley, in addition to some for Diptyque, the collection also includes dish soap, leather and wood conditioner, and ceramic ovals to nestle into sweaters or lingerie drawers — as well as refills to reduce waste. The soap is citrusy, with notes of mandarin and orange blossom, and the lotion polishes those household materials while leaving a woodsy patchouli scent. Since this is Diptyque, there is of course a candle in the mix; The company’s partner, the fragrance manufacturer Givaudan, has developed a technology that allows candles not only to mask musty or unpleasant odors, but also to absorb and replace them: in this case with the scent of mint, basil and crushed tomato leaves. from $15, diptyqueparis.com†
Londoners Tobias Vernon, curator of art and design studio and gallery 8 Holland Street, and Christine Van Der Hurd, founder of textile studio Vanderhurd, are close associates who have been designing interiors for various clients for over ten years and traveled the world with a shared eye for antiques. But it was only relatively recently that they embarked on their first joint product release, which came about after spending the afternoon off on a 2020 business trip in New York, seeing a retrospective of Donald Judd at the Museum of Modern Art. Checkerboard is a collection of six dhurrie rugs, inspired by Judd’s way of transforming space with cubic shapes with their repeating patterns of squares. As Van Der Hurd says, “Squares are very classic and architectural” and are reminiscent of far-reaching eras and styles, from ancient Rome to mid-century modernism. Made by artisans in Northern India using handspun natural hemp in warm contrasting color combinations (rust and sky, noir and ochre), the rugs are aptly named after different chess pieces and have different sized squares – “the bigger the squares, the bigger the bigger the personality,” says Van Der Hurd. While the duo love custom design, Vernon notes that this collection is meant to be versatile and not so precious. “It’s both urban and rustic, historic and contemporary” “And, like chess, it’s a little serious, but also meant to be playful.” From $1,450, 8hollandstreet.com†
wear this
A utilitarian clothing collaboration
Faye Toogood wore the same brown Carhartt dungarees for men during studio work in her twenties, two pregnancies when she was in her thirties, and gardening when she was in her forties. “Despite having almost 20 years of my life and washing them hundreds of times, they look and feel exactly like they did the first day I bought them,” says the British artist and designer, whose namesake London-based studio with her sister Erica, this month introduces a collaboration with Carhartt’s streetwear brand Work in Progress. For the six-piece, unisex collection, the sisters took the archetypal pieces from Carhartt WIP and recut them to add the sculptural volume that is a hallmark of Toogood clothing. Offered in three neutral shades, the items maintain an appreciation for the longevity and utility that the brands share. A standout feature is the button-up jacket with a corduroy collar, the result of merging Toogood’s photographer jacket with Carhartt WIP’s Michigan handyman jacket. The deep pockets and oversized shape make it easy to move around, whether you’re strolling around town or on cool summer evenings. Available from June 7th at toogood.com and carhartt-wip.comand at select Carhartt WIP stores, including 286 Lafayette Street.
From T’s Instagram
Smell that is a multisensory affair
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