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Welcome to the T List, a newsletter from the editors of T Magazine. Every week we share things that we now eat, wear, listen to or covet. Register here to find us in your inbox every Wednesday. And you can always reach us at [email protected]†
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Floating Figures by Katherine Bradford
Katherine Bradford’s paintings present themselves as scenes from a dream, vivid and immediate, even if their meaning remains mysterious. Fluorescent naked men jingle in a pool suspended among the stars. Disembodied legs with dress shoes invade the personal space of a green-haired woman. A group of sea swimmers stare at the lightning on the horizon. “Sometimes I make a painting,” says Bradford, who splits her time between Brooklyn and the coast of Maine, “and then I make it darker, then darker, then darker. It’s because I like the mystery. things that happen at night.” Bradford has been painting since the 1970s, but her turn to figuration in the 1990s serves as the starting point for the first solo overview of her work, now at the Portland Museum of Art in Maine. Across more than 40 paintings, the show traces her technical evolution – from single subjects to ensembles, from oil to acrylic – as she returns to what she calls her “bag of tricks”: swimmers, caped superheroes, floating horizontal bodies. The artist is drawn to these avatars of fear and insecurity, she says, because “it’s the opposite of those old stately portraits of royalty, where they’re supposed to be invincible. I like doing people who fall apart a little bit.” “Flying Woman: The Paintings of Katherine Bradford” is on display through September 11, portlandmuseum.org†
British designer Luke Edward Hall was listening to “Week-End à Rome”, Étienne Daho’s 1984 synth-driven pop hit, when he conceived his latest capsule collection for Chateau Orlando, the fashion and homeware brand he launched in February 2022. song about an Italian getaway, it evoked Hall’s sun-drenched promise of summer vacations and pining, long lunches in the Mediterranean — spawning retro restaurant-inspired motifs in his signature scribble for T-shirts, tote bags, a beach towel, and a poster. Hall has designed interiors, ceramics and clothing for brands like Burberry, Ginori 1735 and Diptyque, but Chateau Orlando allows him to indulge his personal whims, such as cotton sweater vests with wacky patterns and trays with an illustration of his whippet, Merlin. He took a test drive on this latest capsule during his honeymoon between Lake Como and the Amalfi Coast in June, but those staying closer to home may find the cherub-adorned beach towel, spritz and Italo disco playlist a lazy one. can usher in the afternoon in their own backyard. From about $100, chateauorlando.com†
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A farm-fresh shop in Vienna
For the past 20 years, family-run biodynamic farm and winery Meinklang in Austria’s Burgenland region has focused on producing ancient grains such as einkorn and emmer (from which it makes its own beer) and grass-fed Angus beef. This spring, inspired by a pandemic pop-up in Vienna, the estate’s director, Niklas Peltzer, and Werner Michlits, one of three sons who still own the farm, Meinklang Hofladen, opened a farm shop and bistro in a converted house in the fifth district of the capital. “We preferred a cleaner, modern look that reflects farmhouse character through the materials we use – we didn’t want it to look artificially aged or kitschy,” says Peltzer of the minimalist design, featuring bouquets of dried herbs and hand-carved oak planks lined with pots of pickled and preserved products from last year’s crops. Ninety percent of the produce on offer comes from the farm and is accompanied by nearly 200 bottles of natural wine from all over Europe, the United States and Australia. Chef Thomas Piplitz, formerly of Studio in Copenhagen, puts together a seasonal menu of herb-rich salads and small plates, such as the signature Angus tartare, until 3pm for the handful of tables in the shop and on the street-facing terrace. the bistro serves vino alongside homemade charcuterie and cheese from the Austrian Alps. Margareten Strae 58, Vienna, meinklang.at†
After two years of isolation, collaboration has never felt so valuable. With its first project that can be bought by regular customers, Ecco Leather, the Danish tannery that usually sells directly to manufacturers, seems to agree. At.Kollektive brings together four-star designers for regular nine-item drops of considered leather objects, including furniture, clothing and accessories. The names include Catalan designer Isaac Reina, French designer Natacha Ramsay-Levi, German designer Kostas Murkudis and British designer Bianca Saunders; Ramsay-Levi takes the reins for the first collection, due out this fall, during her first time working on furniture and her first design outing since leaving Chloé, where she served as creative director, in 2020. The results include an ottoman and a side table. table that combines rough Trani marble with vacuumed leather. “I realized that the veins we freeze on the leather echoed the natural veins of the marble, so we accentuated this dialogue, like in a mirror play,” explains Ramsay-Levi. To foster the collaborative spirit, the group plans to partner with an architect (starting with Belgian Bernard Dubois) each season to design leather-focused displays for the pieces, which will be on display at Ecco’s gallery and boutique. in Copenhagen. from $200, atkollektive.com†
Insomnia drove Singaporean former fashion boss Bernard Teo to search for and go there five years ago, the “most inhospitable place on earth”: the Danakil Depression in Ethiopia, with its temperatures of 125 degrees, and on to the Omo -valley. There on the floor with the villagers, he finally slept through the night, and was inspired to foster that kind of interdependence with the environment, albeit in a kinder climate – among the radiant green rice paddies of Tabanan Regency in Bali, Indonesia. His hotel, the Lodge in the Woods, opens this week as a series of low-slung concrete structures hewn to nature, with pierced roofs from the corridors to accommodate sinewy logs and a colossal boulder holding back the river house in the open. Filled with Central Javanese wood statues and batik textiles by Bali-based American jeweler Lou Zeldis, who died in 2012, the six rooms (including a two-bedroom barn) evoke the seamless indoor-outdoor living of Tropical Modernist Geoffrey Bawa. Harmonizing with nature means encouraging here all roam freely, including four albino horses and seven albino etawah goats, who can swim with guests in the nearby waterfalls and tide pools. Visitors can also plant zucchini and eggplant on the adjacent chemical-free farm and enjoy meals in the whitewashed dining room overlooking the pool. It’s a sanctuary, Teo says, where “people and animals mingle indiscriminately.” Rooms from $240 per night, lodgeinthewoods.com†
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